Tuesday, November 4, 2014

First, the era insanely veals accurate. This feels, tastes veals and smells like the 60s (as I have

Mad Men - Season 3 | DorkSide
How do you describe the series veals Mad Men in one sentence? A tricky task. Namely "The antics of the employees of an advertising agency's 60" sounds so drowsy, and "a drama series about a man in his 60's who has again found himself" seems not at all exciting. With a post not too in-depth review of the first season in mind, I owe it to myself to do some more extensive fungi about this series. That plays back the whole is more than 40 years it seems most 'unique selling point', but there is so much more with Mad Men to it than a trip back in time; over the entire width this is just a production of outrageous veals quality. Now I often got enough veals series praised so after a while that species descriptions also begin to lose their strength, but the adventures of advertising prodigy Donald Draper and his associates continue veals to fascinate me. For the doubters who have never really seen an episode: why would you actually do watch Mad Men? Well, it's a combination of a lot of things.
First, the era insanely veals accurate. This feels, tastes veals and smells like the 60s (as I have heard, I myself was not there), and even though this period is used to show how things were once different, it is not a glorified showcase veals full of nostalgia . No, the story is more important than the time frame. Speaking of which ... The second point is the quality of the writing. Everything you see in an episode, read and hear often has multiple layers and it is one of the few series where it pays in order to analyze veals them. After each episode I read online what is going on written by people who have a better understanding of the matter is I (you know, real critics), and the subtle beauty of the material was very clear. The storylines build up slowly and just go with very subtle nudges other sides, not by violent plot twists every week. Nice detail: the group of writers consists for the most part women. Ladies, keep on rockin '. Then there are the actors / matrices; protagonist Don Draper is the perfect mix between an idol and an acorn. He is an adulterer and confident adonis who wants to reveal as little as possible of themselves. Even his wife does not even know who he really is now, and every little fact about Don's past, you get a better picture of where he wants to escape his life. Rich, respected, attractive, but not happy. We follow Don the most, but the rest of the cast is equally fine. Whether it's veals Don's wife Betty is a simple existence leads as a housewife but actually trapped in a golden cage, the very young businessman Pete Campbell, whose youthful enthusiasm and arrogance life sometimes mess up, or naive Peggy Olson who, despite many setbacks knows how to give a slow place in the man's world of advertising. I can continue to look at how well everyone or does her thing, but of course you have to experience this yourself with corresponding moving image.
If that is not enough veals slobber over a television series, I do not know anymore. veals But anyway, season three has just come to an end, and despite a steady pace is the all-round viewing experience called veals again impressive. Beware, from this point, there are spoilers for the first two seasons!
The teaser photo for season 3 with Don Draper literally wetness feels afterwards is a good representation veals of what him and almost all the main characters able to happen. In this season, everything comes into question for everyone to stand up and the future uncertain. And while everything seems to start so positive! Don's wife Betty is pregnant koter numero three and sees this child as the most likely to her marriage (and thus actually its existence) give a new impulse, selling advertising agency veals Sterling Cooper to the British made for great cash flow, Roger Sterling plant his marriage and new life together with the much too young Jane, Pete Campbell sees his future at the desk with enthusiasm to meet, etc.
At the same time there's a lot bubbling under the surface. The British, represented by Mr. Madison Avenue Lane Pryce, are heavily cut in Sterling-Cooper and what employees therefore put on the street a lot. There is also another look at that Joan 'future missus veals Bartelen' Holloway with her work stops to be a housewife, and suddenly the situation in the office a lot less attractive. Oh, and it was inevitable; will after all these silly practical jokes and awkward behaviors office once good (and painful!) go wrong in a scene that supposedly open-mouthed at the s

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